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Vrat katha · Dhanteras

Dhanteras Katha: King Hima's Son and the Lamp for Yama

The Dhanteras katha retold: King Hima's son and the wife who kept Yama at the door with lamps and stories, and Dhanvantari rising from the ocean.

  • Satmarg Astro editorial team
  • Updated
  • 5 min read

The katha is told here in our own words, as families tell it at the puja. Versions differ from region to region and house to house; where a story carries a warning, it is told as part of the story, not as a threat to the reader.

Date and muhurat

The day and the times come from our own panchang calculation and change with the city. See them here:

On this page

The Dhanteras katha most families tell is the story of King Hima's son, a young prince fated to die on the fourth night of his marriage, whose bride kept the lord of death waiting at the door all night with lamps, a heap of gold and silver, and her stories. It is joined by the story of Dhanvantari, the physician of the gods, who rose from the churning of the ocean carrying a pot of amrit on this same Trayodashi.

The day and the evening puja muhurat for your city are on the Dhanteras date page. This page is only the story, told in our own words.

King Hima's son

Long ago there was a king named Hima. For many years he and his queen had no child, and when a son was finally born the palace was full of music. The court astrologers drew up the boy's chart, and then fell silent. At last the oldest of them spoke: the prince would grow up strong and good, but on the fourth day after his marriage a snake would bite him, and he would not live.

The king and queen kept the prophecy close and guarded their son carefully. He grew into a kind young man, and in time he was married to a princess who was clever as well as brave. Before the wedding, or soon after, she came to know what had been foretold.

She did not weep or give up. On the fourth night she set about her preparations. She had every lamp in the palace filled and lit, in the rooms, along the corridors, on the steps, until the whole place glowed. She took off her own jewels, gathered the gold and silver ornaments of the household, and piled them in a shining heap across the doorway of their room. Then she sat beside her husband and would not let him sleep. She told him stories, one after another, and sang to him, and kept him talking through the night.

At midnight Yama, the lord of death, came to the palace in the form of a serpent. He slid through the courtyard towards the prince's room, but the light of so many lamps and the glitter of the heaped gold dazzled his eyes, and he could not find a way through. So he coiled himself on top of the heap of ornaments and waited. From there he could hear the princess's voice, and he found himself listening to her stories. The night passed. The moment for which he had come slipped by while he listened. At dawn he quietly turned and went back, and the prince lived.

What Yama told his messengers

A companion story is often told with it. Once Yama asked his messengers whether they had ever felt pity while carrying out their duty. They hesitated, then admitted that they had: when they came for King Hima's son and saw his young bride, newly married, their hearts were heavy. They asked Yama whether there was any way for people to be spared an untimely death.

Yama answered that whoever lights a lamp for him on the evening of Kartika Krishna Trayodashi, placing it outside the home and facing south, his own direction, would be kept from untimely death. This is the origin given for Yama deepdaan, the lamp families set out on Dhanteras evening.

Reading the story calmly

This is a story about a prophecy and a death that did not happen. It is not a warning that a family without a Yama lamp is in danger; the lamp is a prayer for long life, offered out of love. What the katha honours is the princess's courage and wit: faced with something she could not fight, she filled the night with light and voice and refused to be afraid. Families who light the lamp today do it in that spirit.

Dhanvantari and the churning of the ocean

The second story belongs to the great churning of the ocean. The gods and the asuras, unable to win the amrit of immortality on their own, agreed to churn the ocean of milk together, using Mount Mandara as the churning rod and the serpent Vasuki as the rope. Vishnu, as a great tortoise, held the mountain on his back.

Many things rose from the churning, some terrible and some wonderful. Towards the end there appeared a radiant figure carrying a pot full of amrit. This was Dhanvantari, the physician of the gods, honoured ever since as the patron of Ayurveda. Tradition holds that he appeared on the Trayodashi of the dark half of Kartika, which is why the day is kept as Dhanvantari Jayanti, and why many vaidyas and Ayurvedic colleges worship him on Dhanteras.

For many families this second story changes how they read the word itself. The dhan of Dhanteras, they say, is first the wealth of a healthy body, and only then the wealth kept in the cupboard.

Lakshmi and the farmer

In some homes a third story is told. Once Vishnu came down to earth and Lakshmi asked to come with him. He agreed, but told her not to wander southwards while he went ahead. Lakshmi grew curious, walked into a farmer's fields, ate some of his sugarcane and picked his flowers. Vishnu saw it and said that she must now serve the farmer to make good what she had taken. Lakshmi stayed and worked in the farmer's house, and the house grew rich. When Vishnu came back for her, the farmer would not let her go. Lakshmi then told him that if he cleaned his home, lit lamps and worshipped her on the Trayodashi before Diwali, she would come every year. The details vary a great deal from family to family.

How the katha is heard

On Dhanteras evening the story is usually told once the house is clean and the lamps are lit, after Lakshmi, Kuber and Dhanvantari are worshipped, and before or as the Yama lamp is set out. There is no fixed form: an elder tells it in a few minutes while the children listen, or the family reads it together. The full order of the evening puja and the Yama deepdaan is on the Dhanteras puja vidhi page.

What the story carries today

Dhanteras today is known for buying things, and the old stories gently balance that. One is about a young woman who protected her husband with nothing but light and stories; the other is about the gift of healing. Families who tell them are reminded that long life and health come first, and that a lamp at the door costs almost nothing.

Two days later comes Diwali Lakshmi Puja, and the day after Diwali is Govardhan Puja. To plan the evening, see the muhurat page and the choghadiya for your city.

Frequently asked questions

What is the story behind Dhanteras?

Two stories are told. In one, the son of King Hima was fated to die of a snakebite on the fourth night after his wedding, and his wife kept Yama away by lighting lamps, heaping gold at the door and telling stories all night. In the other, Dhanvantari, physician of the gods, rose from the churning of the ocean with a pot of amrit on this Trayodashi.

Why is a lamp lit for Yama on Dhanteras?

In the story Yama tells his messengers that wherever a lamp is lit for him facing south on the evening of this Trayodashi, an untimely death does not come. Families light the Yama deepak as a quiet prayer for the long life of everyone in the house.

Is the Dhanteras story about wealth or health?

Both readings are common. Dhan means wealth, and Lakshmi and Kuber are worshipped in the evening, but the day is also Dhanvantari Jayanti, and many people take the wealth of Dhanteras to mean good health.

Read also

Sources

  • Oral tradition of North India, as told on Dhanteras evening and at the Yama deepdaan
  • Puranic accounts of the churning of the ocean (Samudra Manthan) and of Dhanvantari, as summarised in festival and vrat books
  • Vrat katha collections of North India (King Hima's son; Lakshmi and the farmer), retold here in our own words

Written by the Satmarg Astro editorial team. The kathas are retold in our own words, and we say where traditions differ. Dates and times come from our panchang calculation and are never written into the text. Our method