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Vrat katha · Vat Savitri Vrat

Vat Savitri Vrat Katha: The Story of Savitri and Satyavan

The Vat Savitri vrat katha retold: Savitri chooses Satyavan, Narada's warning, the day under the banyan, and the boons she won from Yama.

  • Satmarg Astro editorial team
  • Updated
  • 5 min read

The katha is told here in our own words, as families tell it at the puja. Versions differ from region to region and house to house; where a story carries a warning, it is told as part of the story, not as a threat to the reader.

Date and muhurat

The day and the times come from our own panchang calculation and change with the city. See them here:

On this page

The Vat Savitri vrat katha is the story of Savitri, who married the exiled prince Satyavan knowing he had only a year to live, and who followed Yama, the lord of death, until her wisdom won her husband back. It is read under the banyan tree on the day of the vrat, by women who worship the tree in her memory.

The vrat is kept on Jyeshtha Amavasya in the north and as Vat Purnima on Jyeshtha Purnima in Maharashtra, Gujarat and the south; both days and the reasons for the difference are on the Vat Savitri date page. This page is the story, retold in our own words.

A princess who chose for herself

Long ago Ashwapati, the king of Madra, ruled justly but had no child. For many years he prayed to the goddess Savitri, and at last she granted him a daughter. He named the girl after the goddess. Savitri grew up so bright and so dignified that the princes of neighbouring kingdoms were in awe of her, and none came to ask for her hand.

So Ashwapati did something unusual for his time. He told his daughter to travel and choose a husband herself. Savitri set out with old counsellors in a chariot and visited hermitages and forests. When she came home she found the sage Narada sitting with her father.

She told them her choice. In a forest hermitage lived Dyumatsena, once king of Shalva, who had lost his sight and then his kingdom to an enemy. His son Satyavan cut wood and gathered fruit for his blind parents, and was truthful, gentle and learned. Savitri had chosen him.

Narada fell silent, then spoke. Satyavan, he said, had every virtue, but one fault outweighed them all: exactly a year from that day his life would end. Ashwapati begged his daughter to choose again. Savitri answered calmly that a choice of the heart is made once, and she would not make it twice. Narada blessed her, and the king gave way.

The year in the forest

Savitri married Satyavan and went to live in the hermitage. She put away her royal jewels, wore simple bark-cloth like her new family and served her blind parents-in-law with care. She told no one of Narada's words, but she counted the days.

When only three days remained she began a fast, standing in prayer day and night. On the last morning she finished her worship, and when Satyavan picked up his axe to go into the forest for wood, she asked to go with him. He was surprised, for she had never asked before, but his parents agreed.

In the forest Satyavan climbed a tree and began to cut branches. Suddenly he felt a sharp pain in his head and came down, saying he needed to lie down. Savitri sat at the foot of a great banyan and took his head in her lap. As she watched, a tall dark figure dressed in red, holding a noose, appeared before her. It was Yama. He drew out Satyavan's life, a being no larger than a thumb, and turned south to leave.

Following Yama

Savitri laid her husband's body gently on the ground and followed. Yama turned and told her to go back and perform the rites; she had done all a wife could do. Savitri kept walking. She said that wherever her husband was taken, she would go, and that seven steps walked together make two people friends. Then she spoke of dharma, of the company of the good, and of the duty of the strong to protect others, so thoughtfully that Yama was pleased and offered her a boon, anything but Satyavan's life.

She asked that her father-in-law should see again and have his kingdom back. Yama granted it and told her to return. She kept walking and kept talking, and he offered a second boon. She asked that her own father, who had no son, should have sons to carry on his line. Granted. Still she followed, and when he offered a third and last boon she asked that she herself should become the mother of many sons, children of Satyavan.

Yama, charmed, said yes before he had thought it through. Then he saw what he had promised. Savitri could only be the mother of Satyavan's sons if Satyavan lived. Yama laughed, loosened the noose and gave the young man's life back to her, with long years added.

Savitri ran back to the banyan. Satyavan stirred, sat up and said he had slept a long time and dreamt of a dark figure taking him away. By the time they reached the hermitage, his father could see, and soon messengers came to say that the enemy who had taken his kingdom was gone.

Reading the story calmly

At the centre of this story is a death, and it is told plainly. It is not a promise that a fast can undo a real illness, and it is not a warning to any woman. Savitri does not win by suffering; she wins by keeping her head, speaking well and asking for exactly the right thing. That is why many women love the katha. Those who cannot fast, because they are pregnant, unwell or older, still worship the banyan and hear the story, and that is fully part of the vrat.

Other tellings

  • The Mahabharata's version. In the epic the boons are counted differently and there are more than three: Savitri first asks for her father-in-law's sight and strength, then his kingdom, then sons for her father, then sons for herself, and the epic closes with Satyavan's life restored. The folk telling keeps the same cleverness in fewer steps.
  • The banyan. The epic does not name the tree; the banyan comes from the vrat tradition, which also holds that Brahma, Vishnu and Shiva dwell at its root, trunk and crown.
  • Savitri Brata in Odisha. Women in Odisha keep the day at home and tell the same story, worshipping Savitri with seasonal fruits.

How the katha is heard

The story is told at the tree. After the women have worshipped the banyan and wound raw cotton thread around its trunk, they sit in its shade, often with soaked black gram and a hand fan beside each thali. One woman, usually an older one, reads the katha from a small book or tells it from memory. In cities, women who worship a banyan branch at home read it there.

The steps of the puja, the samagri and the thread-winding are on the Vat Savitri puja vidhi page.

What the story carries today

Savitri is remembered as a devoted wife, but many readers notice something more: a woman who chose her own husband, made her own decision with open eyes, and outargued death. For mothers telling the story to daughters, that is often the lesson they want to pass on.

The Bhadrapada fast of Parvati's resolve is the Hartalika Teej katha, and the autumn fast kept for a husband's long life is the Karwa Chauth katha. If you plan the puja under the tree, the choghadiya for your city and the rahu kaal help pick a calm part of the day.

Frequently asked questions

What is the story behind Vat Savitri?

Princess Savitri chose to marry Satyavan, an exiled prince, though the sage Narada said he had only a year to live. On the appointed day he died in the forest. Savitri followed Yama, spoke with him so wisely that he granted her boons, and the last boon could only be fulfilled by giving Satyavan back his life.

Where does the Savitri story come from?

It is told in the Vana Parva of the Mahabharata, where the sage Markandeya tells it to Yudhishthira. The banyan tree and the details of the puja come from the vrat tradition built around the story.

Why is the banyan part of the Savitri story?

In the folk telling Satyavan rests with his head in Savitri's lap beneath a banyan when his life is taken, and it is there that he wakes again. The long-lived tree, with roots that become new trunks, came to stand for a long and lasting married life.

Read also

Sources

  • Mahabharata, Vana Parva (the Savitri episode, told by Markandeya), as summarised in vrat books
  • Oral tradition of Uttar Pradesh, Bihar, Madhya Pradesh, Maharashtra and Gujarat, as told under the banyan

Written by the Satmarg Astro editorial team. The kathas are retold in our own words, and we say where traditions differ. Dates and times come from our panchang calculation and are never written into the text. Our method